John Erdman

Not to be confused with Luc Besson’s film of the same title from the same year. Documentarian Andrew Horn’s second narrative feature.

Stylized, black and white biography of Frances Farmer by author Lynne Tillman and Sheila McLauglin.

Rainer’s landmark film is a meditation on ambivalence that plays with cliché and the conventions of soap opera while telling the story of a woman ...

Embodying Rainer’s aesthetic rigor and wit, the film combines fiction and documentary, script readings, dance snippets, still photos, and ...

A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive ...